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PinkPantheress - to hell with it (Remixes)

Born in Bath and raised in Kent, DJ PinkPantheress has released a remix album. to hell with it: remixes features 15 artists remixing tracks from the TikTok star's debut mixtape. There are contributions from Anz, LSDXOXO, Nia Archives, Sango, FKJ and more. "I'm a little bit obsessed with PinkPantheress's music," Anz said. "I had so much fun working with her and reimagining the vocals in my own way. Listening to the lyrics, I wanted to make the track a tale of two halves—wistful and dreamy, but also a bit carefree and darkside. And of course, ready for the club!"

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How PinkPantheress’s samples are bridging the generational gap

<p>MIU MIU top, £650; skirt, £590; boots, £1,190; hat, £350 (miumiu.com). VIVIENNE WESTWOOD orb necklace, £120 (viviennewestwood.com). Dog: Woody </p>

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History Of House Music - Best Of 2005, Episode IV/IV: The Swedish Thing

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TRACKLIST:
0:00:00 Mylo & Freeform Five- Muscle car (Sander Kleinenberg Remix)
0:02:34 Eurythmics- Sweet dreams (Steve Angello & Sebastian Ingrosso Remix)
0:04:34 Royksopp- 49% (Steve Angello & Sebastian Ingrosso Remix)
0:09:48 Hard Fi- Hard to beat (Axwell Remix)
0:13:02 Axwell feat Steve Edwards- Watch the sunrise (Axwell Remode)
0:16:16 C Mos- 2 million ways (Axwell Remix)
0:18:49 Roger Sanchez feat GTO- Turn on the music (Axwell Remix)
0:21:49 Buy Now- For sale (Steve Angello & Sebastian Ingrosso Mix)
0:24:55 Sebastian Ingrosso- Bodybeat (Original Mix)
0:27:32 Stonebridge feat Therese- Put em high (Steve Angello & Sebastian Ingrosso Remix)
0:30:32 Axwell & Sebastian Ingrosso- Together (Remode)
0:33:15 Axwell & Sebastian Ingrosso- Together (Original Mix)
0:36:15 Benjamin Bates- Whole (Steve Angello's Oversized Dub)
0:39:07 Ian Carey & Mochico feat Miss Bunty- Say what U want (Ian Carey Dub Mix)
0:42:36 Deep Dish- Say hello (Steve Angello & Sebastian Ingrosso Remix)
0:45:36 Dave Spoon- Sunrise (Seamus Haji & Dave Spoon Vocal Edit)
0:49:20 Steve Angello & Sebastian Ingrosso- Yeah (Original Mix)
0:53:23 Steve Angello & Sebastian Ingrosso Presents Mode Hookers- Breathe (Instrumental Mix)
0:55:20 Sebastian Ingrosso Presents Mode Machine- Get it back (Original Mix)
0:58:21 Ernesto & Bastian- Dark side of the moon (Axwell & Sebastian Ingrosso Remix)
1:01:06 Moby- Dream about me (Sebastian Ingrosso Remix)
1:04:05 MBG & SDS- New Jack (MBG Scope Mix)
1:06:35 In'N'Out- Eqlizer (Steve Angello & Sebastian Ingrosso Remix)
1:08:53 Steve Angello- Wear it out (Original Mix)
1:11:22 Steve Angello- The look (I feel sexy)
1:14:40 Steve Lawler- That sound (Original Mix)
1:17:41 Deepgroove- Break of dawn (Mark Knight Remix)
 

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Olafur Eliasson, Stockholm Solar Lab: Solar flare lamp, 2005

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The Lords Of The New Church - The Lords Of The New Church
(1982 - Full Album)
 
 

Label:    Illegal Records  – ILP 009
Format:    
Vinyl, LP, Album
Country:    UK
Released:    1982
Genre:    Rock
Style:    Goth Rock, New Wave, Post-Punk

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Edited by Vesper
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  • 3 weeks later...

ZEEZ - EQUINOX (Official Music Video) 

brand new UK Garage

Free download of EP

https://blackmarblerecords.bandcamp.com/album/equinox

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Black Marble Collective is excited to welcome back DJ and Producer Zeez of South London UK! Originally he dropped his infamous Jersey Club influenced track, Heavyweight, as ZZZ on Black Marble Collective Volume 2! His follow up of a Missy Elliot Flip on Black Marble Collective Volume 3 was super epic as well. Now that it’s been a few years our man has been more vexed and seasoned. This release being his third Release and he is coming out swingin with his UKG / Garage vibe! His style is self described as “various rhythmic elements from all over the dance world pinned together by my signature emotional backdrop of samples, keyboards or synths.I usually try to inject a little weirdness into it too.” We would describe it as delightful intricate percussion teamed up with bouncy playful rhythms that have propa bass that smacks and could get every head bobbing. He’s in his own lane, literally making sexy, moody, dancefloor bangers all without having to go full on rager with his tracks.

BIO
Born and raised in the UK this gentleman has been through many parties and raves where his style has been formed. He has produced and released music for 5 years before this album Equinox.' From then on, it”s what he considers this carnation of Zeez. A more adult, “toned down version” might be going a little too far but he’s certainly more thoughtful when it comes to his productions. Equinox is a follow up to his last release “Mad Summer”, contrasting to the explosive upbeat and generally light in tone music. He wanted to make something a little more brooding and progressive, clearly it's not his most prominent trait as he could only manage to squeeze out a couple of tracks in this hybrid style.

His last release “Mad Summer” got a good amount of radio play, on the Tom Ravenscroft show on BBC Radio 6 Music, and stateside with New York DJ Joeldeep. Also Trieste played a tune on Bristol-based radio 'Noods.' and Sad Insects from 'Without You' was featured on Fashion influencer Sangiev's video.
 

Edited by Vesper
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The Vandals – Shingo Japanese Remix Album


Label:    Kung Fu Records – 78844-2, Kung Fu Europe – 78844-2
Format:    
CD, Album
Country:    Europe
Released:    2005
Genre:    Electronic, Hip Hop, Pop Punk
Style:    J-pop, Electro, Disco, Punk

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Edited by Vesper
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  • 2 weeks later...

RA.823 Clark

Resident Advisor

  • Tracklist
    Bartok - Dorian Mode From Mikrokosmos 
    Sun Ra - Love In Outer Space
    Basil Kirchin - My Unintended
    Basic Channel - Mutism
    Albert Ayler - Spiritual Unity 
    Bendik Giske - Adjust
    Todd Dockstader - Water Music 
    Clark - Dark Acid Climbs
    C Yoshiu Wada - Reed modulations 
    Eliane Radigue - Opus 17
    Eliane Radigue - Vice Versa
    Bernard Parmegiani - Premiere Series 
    Positive Centre - Mycelial Culture
    Gajek - Connected By Pipes (Live Version) 
    Clark - Entropy Polychord
    Suicide - Ghost Rider
    Clark - Unreleased dmx jam
    Clark - Untitled
    PTP - Show Me Your Spine
    Blawan - Underbelly
    Thomas Bangalter - Spinal Scratch 
    Clark - Unreleased
    Steve Poindexter - Computer Madness 
    Clark - Unreleased
    Clark - Unreleased
    Clark - Unreleased
    Burial - New Love/Anti Dawn
    Clark - Abyss Thick And Wide
    Mary J Blige - Real love
    Ricardo Villalobos - Ichso
    Clark - Already Ghosts
    Black Dog - Olivine
    Clark - Springtime Epigram
    Balil - Choke And Fly
    Clark - Unreleased
    Nathan Fake - Unreleased
    Clark - Unreleased
    Archetype - Chant
    Laguna Seca - Twin Set
    Current Value - Atonement
    Nathan Fake - Untitled
    Clark - Slow Haunt
    Clark - Lambent Rag (Alt Version) Arseny Avraamov - Symphony Of Sirens
  • Connecting the dots from classical to Burial
  • Chris Clark's music is hard to describe, but if you wanted to explain it to an electronic music fan, you might use the dreaded term "IDM" to encompass the many strange and alluring records, some frantic, some chill, the UK producer has put out through Warp over the years. We can be a bit more specific: he uses field recordings, out-there drum patterns and all kinds of hardware (seriously, there's a lot) to make make meticulously processed music, some of which you can dance to. Lately, though, he's turned his attention to classical music, scoring films and televisions shows and culminating in last year's Playground In A Lake for vaunted label Deutsche Grammophon, which featured guests like AFRODEUTSCHE and Oliver Coates and a member of Grizzly bear on a moving, string and horns-led suite about climate change. You hear all these ideas at once on Clark's stirring RA Podcast, which features music, as he explains, from 1922 all the way to 2022. Classical rubs elbows with Burial and Ricardo Villalobos, as once familiar tracks melt into new (mis)shapes. It also features plenty of Clark originals—maybe some glimpses of the new album? The best part isn't even the formidable selections, but the way he puts it altogether. Far from a seamless DJ mix, this one is full of peaks and valleys and clever transitions that'll make you check the tracklist and wonder what you just heard. It's the kind of all-over-the-place mix that captures the brilliance of Clark's in a DJ format. Maybe he should do this more often.
     
    What are you grateful for these days?
     
    People in my life. Being able to carry on doing what I love, making music, progressing, inching along, stitch by stitch improving it all a bit everyday.
     
    How and where was the mix recorded, and can you tell us the idea behind it?
     
    Some in Australia, then some more on a flight on the way back and the rest in my studio back in Brighton which is where I am now, jetlagged but buzzing. It started off as a DMX drum machine rinse out, I've been enjoying that thing, I wanted to play some old electro stuff but felt I needed to justify it by making my own alongside it. That was fun, but felt a bit norms, so I started crafting this slab of material from older music, musique concrète classical, jazz and some of my own unreleased tunes as well. This was very engaging, but obviously a bit of a mess. So I decided to go right back to 1922 with Symphony Of Sirens. So it's now music that I like from 1922 to 2022, and you can't possibly call it a mess, because it's because it's music from 1922 to 2022, ok? There's a definite wink to John Peel in there in terms of ground covered. Actually the more I went on, the more I began to see abstract parallels between the pieces chosen.
     
    How is it recording with string ensembles, and how does the composition, writing or recording process and approach differ from your previous, more electronic albums?
     
    I played in orchestras as a kid so strings are a distant but native part of my language, it's just felt more normal to go between the two as worlds as time has gone. When I first worked with orchestra for the film Daniel Isn't Real I was kinda freaked out at how much I liked the sound, but also how different it was to techno, or say the more pure electronic of a record like Turning Dragon. I wasn’t like, "yeah this is EXACTLY the same as that album." But I gradually started integrating voices from my more electronic world. For instance, like the cat synth, I layered a line from that over the string session and this track became "I'm Pulling My Face Off." It shouldn't really work like this, but it does. My favourite kind of flavour combination discovery. Maybe it's something in the harmonics between sawtooth waves/noise and orchestra slamming it on the chromatic spider lines, it just clicks.
     
    Why did you choose to go so far back into electronic music history for this mix—and do you think older electronic music and musique concrete informs the way you make music now?
     
    It was actually just a very natural thing of thinking "what do I like?" And I like plenty of current music but I'm not actually a DJ, so I'll never have 400 tracks that were released in the last six months on my hard disk, it would be weird if I did, like procrastinating on all of my own music by losing myself in other peoples. Some people do that exceptionally well, with full commitment, and entertain thousands of people in the process. But I'm from much more of a producer/composer/musician mindset. I just know what I enjoy, some music has a potent quality that transcends our particular moment, it's always good to be aware of what's going on outside our particular moment, you realize it's all connected, it's a conversation. You can see the links between hip-hop, techno and musique concrete, Bach chorales inform gospels, jazz harmony. Blues to funk, funk to Kraftwerk back to Detroit techno again. It’s a massive ever growing feast, basically. I'm sure I've missed some links in that chain, there are always hidden links in the chain :)
     
    What's one social or political cause you want the world to pay more attention to?
     
    Tackling the ongoing ecological collapse of our planet seems like a good place to start in terms of causes. I'm reading a really good book at the moment by Jason Hickel about the idea of "degrowth," called Less Is More. I heartily recommend it, but I'm not going to badly paraphrase it here in an interview about some music I mixed.
     
    What are you looking forward to in the near future?
     
    Finishing my album so I can go on holiday. Been too long. My album is fun though. I don't wanna finish it! I wanna stay in this place forever.
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Leftfield + Lydon - Open Up (Dervish Overdrive)

Label:    Hard Hands – HAND 009T
Format:    
Vinyl, 12", 33 ⅓ RPM, Single
Country:    UK
Released:    1 Nov 1993
Genre:    Electronic
Style:    Progressive House, Breakbeat

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